![\"\"](\"https:\/\/i0.wp.com\/mariekeubbink.nl\/wp-content\/uploads\/2018\/04\/streepjes-IIc.jpg?resize=1206%2C2\")
<\/p>\n<\/p>\n
artwork ‘call for papers’\u00a0<\/span> “T<\/span>he crisis in journalism has led to an emergence of new forms of media: constructive journalism is a solutions-based approach founded in Scandinavia and rooted in the theory of positive psychology, while news sites like De Correspondent are member-funded, ad-free and prioritize \u201crelevance over recentness.\u201d Are these solutions viable? What’s next for journalism if objectivity is no longer a possibility? Is pathos somehow inferior as a mode of persuasion?”<\/span><\/span><\/p>\n @readthegrid<\/span><\/a><\/div> <\/div><\/span><\/p>\n <\/a> To Fix What Is Broken: <\/span><\/strong>Affect, Opposition and <\/span><\/strong> <\/a> artwork accompanying an article by Anelise Farris<\/span> Literary Magazines in Online Spaces: <\/span><\/strong><\/span> read article http:\/\/www.readthegrid.com<\/a><\/span><\/span><\/div><\/span> \u00a0 \u00a0black pen and cuttings in a book<\/span><\/div><\/span><\/p>\n <\/a> \u00a0a play on Magritte & Broodthaers (<\/span>ink drawing on paper, digital collage)<\/span><\/p><\/div>\n artwork accompanying an article by Bogna Konior<\/span> Surface over Depth: Pagan Inter-Species Art<\/span><\/strong> read article: http:\/\/www.readthegrid.com<\/a><\/span><\/p><\/div>\n <\/a> artwork accompanying an article by Tosha R. Taylor <\/span><\/span><\/span><\/span> Consuming Death Through Urban Kitsch ink-drawing on a copy of a newspaper-photo, digital collage<\/span><\/span><\/p>\n
\nissue #6:<\/strong> The Crisis of Journalism in the Post-Truth Era<\/span>
\ncommissioned by: the grid.<\/strong> platform for creative thinkers.<\/span><\/p>\n<\/span><\/span><\/span><\/p>\n![\"\"](\"https:\/\/i0.wp.com\/mariekeubbink.nl\/wp-content\/uploads\/2018\/04\/insta-2.jpg?resize=555%2C370\")
<\/p>\n![\"\"](\"https:\/\/i0.wp.com\/mariekeubbink.nl\/wp-content\/uploads\/2018\/04\/Maaike-Hommes-artikel.jpg?resize=760%2C366\")
\nartwork accompanying an article by Maaike Hommes<\/span>
\nissue #5:<\/strong> No Man’s Land – Conflicts of Space<\/span>
\n commissioned by: the grid.<\/strong> platform for creative thinkers.<\/span><\/p>\n
\nthe Re-Creation of Space in Conflict<\/span><\/strong>
\n“Often it is a lack of space that forms the origin of conflict. Two people wanting the same spot. Two people too close together for top long. When the lack of space is inflammatory to the creation of a quarrel, the opening up, and the re-creation of space loosens, and calms us down. So far so good. But what does it mean to find oneself in each other’s space in the first place? And if so, how to get out unharmed?”
\n<\/span>read article: <\/span>http:\/\/www.readthegrid.com<\/a><\/p><\/div>\n<\/p>\n
\n<\/span>issue\u00a0#4:<\/strong> Who Is Afraid Of Disability?<\/span><\/span>
\n commissioned by: the grid.<\/strong> platform for creative thinkers.<\/span><\/p>\n
\nA Call for Reevaluating Accessibility<\/span><\/strong><\/span>
\n“Literary magazines continue to thrive in the digital age, and they serve as an increasingly important platform for conversations about the need for diverse art, as well as the advancement of writers and artists from marginalized groups\u2014those who tend to be eschewed by mainstream publishers. While one of the benefits of having an online presence for literary magazines is the opportunity to be discovered by a wider audience, it is not a panacea for accessibility\u2014especially for the disabled, as well as those of low socioeconomic status who may not have access to the Internet. “<\/span><\/span><\/p>\n<\/span>![\"\"](\"https:\/\/i0.wp.com\/mariekeubbink.nl\/wp-content\/uploads\/2018\/04\/afb.-Annelise-Farris-b.jpg?resize=610%2C519\")
<\/span><\/p>\n<\/p>\n\n![\"\"](\"https:\/\/i0.wp.com\/mariekeubbink.nl\/wp-content\/uploads\/2018\/04\/afbeelding-BOGNA-copy.jpg?resize=740%2C370\")
<\/p>\n
\n<\/span>issue\u00a0<\/strong>#3:<\/strong> Animal, All Too Human<\/span><\/span>
\n<\/span>commissioned by: the grid.<\/strong> platform for creative thinkers.<\/span><\/p>\n
\n“Dead or alive, animals bodies serve as canvases for meanings, interpretations, and symbols to play out, thus stressing the incapability of conceiving of animals as creators rather than objects woven into networks of human creativity. The animal body becomes the raw material for aesthetic and intellectual pleasure, a tool that is meant to provoke reflection on diverse matters, from death to our own animality.”<\/span><\/p>\n<\/p>\n
\nissue\u00a0<\/strong>#2:<\/strong> Death and the City \u00a0– \u00a0<\/span>commissioned by: <\/span><\/span><\/span><\/span>
\nthe grid.<\/strong> platform for creative thinkers.<\/span><\/span><\/span><\/span><\/p>\n
\n<\/strong>Signs of death and human destruction have been woven into the cultural fabric of many cities and \u2013 for instance \u2013 can be found in certain tours centered upon horrible historical happenings. These activities belong to the greater phenomenon that has been termed \u201cdark tourism,\u201d But, as Tosha R. Taylor in this discussion claims, \u201cdeath kitsch\u201d in urban spaces is not limited to tourism alone. What is death kitsch exactly and aren\u2019t we all guilty as charged?<\/span><\/div><\/span><\/p>\n![\"\"](\"https:\/\/i0.wp.com\/mariekeubbink.nl\/wp-content\/uploads\/2018\/04\/Tosha-2.jpg?resize=1000%2C398\")
<\/p>\n
\nread article: http:\/\/www.readthegrid.com<\/a><\/span><\/span><\/div>\n<\/div>\n
![\"\"](\"https:\/\/i0.wp.com\/mariekeubbink.nl\/wp-content\/uploads\/2016\/06\/FB-BANNER.jpg?resize=1000%2C370\")
<\/p>\n